Sunday 10 June 2018

The Blaschka sea life models

Soft bodied animals are very difficult to preserve, which in part is why we have so few records of them in fossils.  Even in a preserving solution like formalin they sag and lose their colour.  What in life would have been an intricate interplay of shape and colour becomes an amorphous blob.  So it was with a sense of with wonder that I encountered the Blaschka sea life models, models of soft bodied marine life made from glass.  They went beyond giving a suggestion of an animal, to being art pieces of such precision they could be used to teach people how to differentiate one species from another.  In the case of the radiolarian models enabling otherwise microscopic organisms and details to be visible without magnification. 

The octopus below is just one of hundreds of marine organisms modelled in glass by the Blaschkas 150 years ago, and I imagine that for a person who knew their octopi this is easily identifiable to the species level.

A Blaschka octopus, probably Octopus vulgaris,  part of the Harvard collection.  Photo from the Boston Globe
https://www.bostonglobe.com/arts/theater-art/2014/07/26/blaschka-sea-creatures-exhibit-opens-harvard/G5zUYHgt4Inqlj8pIjuh8L/story.html

In this blog post I provide an annotated list of websites where my readers can explore Blaschka models for themselves. Consider this a belated contribution to World Oceans Day (7 June). If you find yourself falling down the rabbit hole of wonder at these models I am sure you have the skills to find your your way either back out or deeper in.

The makers

The father and son partnership of Rudolph and Leopold Blaschka made over 10,000 models spanning 700 species in the period 1863 to 1890 (Sarakas, 2016).

Leopold and Rudolph represent a long lineage of glass makers, dating back to Venetian glassmakers in the 15th Century (University of Dublin).

Their craft was not passed to another generation, and to this day some of the Blaschka techniques and skills have not be replicated, which I imagine is problematic for restorers.

The Blaschkas based some of their craft initially on drawings. Of particular note as sources of information for their models were the following works.  As they became more renowned they started to use actual specimens for their work.

  • Philip Henry Gosse (1853) A Naturalist’s Rambles on the Devonshire Coast.  A digital copy is available at the Internet Archive.
  • George Brettingham Sowerby (1857) A Popular History of the Aquarium of Marine and Fresh-Water Animals and Plants. A digital copy is available at the Internet Archive.
  • Philip Henry Gosse (1860) Actinologia Britannica: a history of the British sea anemones and corals. A digital copy of this work is available at the Internet Archive.
  • The works of Ernest Haeckel.  Including Radiolaria (1862) and others, many of these works are also available online.

Blaschka glass model photographed by Guido Mocafico (top) and watercolour of the same.
The creature is a blue dragon, Glaucus atlanticus, a small sea slug that feeds on jellyfish.  I think it was encountering a picture of a Blaschka model of one of these that started my fascination with the Blaschkas.  As a child I regularly encountered these blue dragons washed up on Queensland beaches.
Source: https://www.ucpress.edu/blog/21026/a-sea-of-glass-and-the-blaschkas-fragile-legacy/

The Blaschkas' skill is so exquisite that even photographs of their work can fetch high prices.  Of particular note is the work of Guido Mocafico.  If you compare Guido's "medusa" (jellyfish) photographs to his Blaschkas you will appreciate his clear fascination with the later [be warned if you appreciate photography you may get a bit lost on this site!].

The Collections

Australian Museum (Sydney)

The Australian Museum website has images of 43 anemone specimens.  The Australian Museum ordered their Blaschkas in 1879, displayed them until 1941, then moved them to museum archives.

This image of the sea anemone, Hormathia margarita, looks like belongs in a swanky cake shop.
Image:  Australian Museum. 


Cornell (US)

Cornell has a significant collection of Blaschkas.  Their online archive has images of 250 specimens, is well catalogued with both the scientific name and the Blaschka number of the model.

One of the locations within Cornell for the Blaschka models is the Corning Museum of Glass (CMOG). This article on Atlas Obscura  provides some details of CMOG's curation of the Blaschkas.

Cornell was also involved with the production of a film Fragile Legacy, which is available for download via Vimeo on demand.  The film focuses on both ocean conservation and the Blaschkas. There is a catalogue of an exhibition which accompanied the launch of the film. The online catalogue provides images of numerous models, some 3D viewable models,  and images of the paints and tools used to create them.  It also has a map detailing some of the locations for Blaschka collections and associated items (like sales catalogues).

Harvard (US)

Harvard has a collection of 430 Blaschka invertebrate models, with 60 on permanent display.  These form the basis of a recent book entitled Sea Creatures in Glass.  The website also has access to 3D scans of some models.  Harvard also houses the Blaschka glass flowers exhibit.

Natural History Museum (London, UK)

The NHM has 185 Blaschkas, they appear regularly in the institutions blog roll, enter Blaschka into the search panel to find these.  I recommend this Youtube video (6:22 minutes) which shows some of the NHM models and explains their conservation.

Radiolarians are a feature of the NHM Blaschka collection.  Much of the work brought the micro into the macro and would have been based on Heackel's work.  This is a specimen of Actinomma asterocantium.  Image: NHM.

University of Dublin (Ireland)

Has a collection of 400 Blaschkas.  There are very few photographs on their website and a number of the links to other collections no longer work.  However the text on the Blaschkas is informative.

Museum of Wales

Museum of Wales has a number of Blaschkas.  They appear in the following posts. [NB: I found the site was misbehaving on blog writing day].

Model of the jellyfish Physalia arethusa, a feature in 'repairing the irreplaceable article.
Image: Museum of Wales.

Saturday 2 June 2018

Astronomical names it's all Greek to me



I have recently finished reading Stephen Fry's (2017), Mythos: a retelling of the Myths of Ancient Greece (Penguin). The reading is easy and fun, with humour typical of Fry's stage presence and other writing.  To read Mythos was also to read a context for the nomenclature of space, a who's-who of astronomical objects and some present day constellations.  I place on my list of recommended reading for astronomy bluffs, though given its placement in a fiction genre it frustratingly lacks both a table of contents and an index.  Mythos is also a treasury for etymologically curious people as clearly Fry loves to understand words.  Read his footnotes, some gems in there also.

To prove the point that space is full of Greek names, I have compiled this summary from a more exhaustive list on the International Astronomical Unions site.  Also worth reading their guide to naming conventions, which describes how decisions are made about how things are named, including planetary features like craters.

The Planets


In English speaking astronomy the eight solar system planets bear the names of Roman gods (Uranus exempted), but is also worth observing that there is correspondence to Greek gods and therefore we could consider that the Greek god is also being referenced.  I have included Pluto and Ceres in the list, because even though they are no longer considered planets, they fit the pattern being described.  Table mostly derived from the Mythology for Dummies Cheat Sheet.  Ceres was discovered in 1801, labelled as planet and 'demoted' to an asteroids in the 1850s.


RomanGreekDescription
MercuryHermesMessenger of the gods
VenusAphroditeGoddess of love
GaeaGaiaEarth
MarsAresGod of War
CeresDemeterGoddess of the harvest
JupiterZeusKing of Gods
SaturnCronosFather of Zeus, Son of Uranus
CaelusUranusGod of the Sky
NeptunePosidionGod of the Sea
PlutoHadesGod of the Underworld

The Moons of the Solar System


The list that follows provides the name of the planet with the name of its moons as indented dot points, only Greek names make it to the list. Roman numerals follow the IAU convention and indicate the planet's orbit order (I assume). Once again I have included Pluto because it fits the pattern.

Earth

  • The moon, Selene in Greek, hence the prefix Selenic for 'lunar' features.

Mars

  • Phobos (I) - one of the horses that drew Ares chariot (translated 'fear').
  • Demios (II) - one of the horses that drew Ares chariot (translated 'flight').

Asteroids

  • Eros - god of love
  • Ida - a nymph who raised Zeus
  • Dactyl (I) - mythological beings who assisted Ida
  • Kalliope -
  • Linus (I) - 

Jupiter

  • Io (I) - one of Zeus' lovers. Changed into a cow to protect her from Hera.
  • Europa (II) - one of Zeus' lovers.
  • Ganymede (III) - one of Zeus' lovers.
  • Callisto (IV) - one of Zeus' lovers. Changed into a bear to protect from Hera.
  • Amalthea (V) - naiad who nursed Zeus.
  • Himalia (VI) - one of Zeus' lovers.
  • Elara (VII) - one of Zeus' lovers.
  • Pasiphae (VIII) - one of Zeus' lovers. Wife of Minos.
  • Sinope (IX) - Zeus failed to seduce this character.
  • Lysithea (X) - child of Zeus.
  • Carme (XI) - one of Zeus' lovers.
  • Ananke (XII) - one of Zeus' lovers.
  • Leda (XIII) - one of Zeus' lovers.
  • Thebe (XIV) - one of Zeus' lovers.
  • Adrastea (XV) - cared for the infant Zeus.
  • Metis (XVI) - one of Zeus' lovers, mother of Athena.
  • Callirrhoe (XVII) - step child of Zeus.
  • Themisto (XVIII)  - one of Zeus' lovers.
  • Megaclite (XIX)  - one of Zeus' lovers.
  • Taygete (XX)  - one of Zeus' lovers.
  • Chaldene (XXI)  - one of Zeus' lovers.
  • Harpalyke (XXII) -  one of Zeus' lovers.
  • Kalyke (XXIII)  - one of Zeus' lovers.
  • Iocaste (XXIV)  - one of Zeus' lovers.
  • Erinomee (XXV)  - one of Zeus' lovers.
  • Isonoe (XXVI)  - one of Zeus' lovers.
  • Praxidike (XXVII) - one of Zeus' lovers.
  • Autonoe (XXVIII)  - one of Zeus' lovers.
  • Thyone (XXIX)  - one of Zeus' lovers.
  • Hermippe (XXX) - one of Zeus' lovers.
  • Aitne (XXXI)  - one of Zeus' lovers.
  • Euanthe (XXXIII)  - one of Zeus' lovers.
  • Euporie (XXXIV) - daughter of Zeus.
  • Orthosie (XXXV) - daughter of Zeus.
  • Sponde (XXXVI) - daughter of Zeus.
  • Kale (XXXVII) - daughter of Zeus.
  • Pasithee (XXXVIII) - daughter of Zeus.
  • Hegemone (XXXIX) - daughter of Zeus.
  • Mneme (XL) - daughter of Zeus.
  • Aoede (XLI) - daughter of Zeus.
  • Thelxinoe (XLII) - daughter of Zeus.
  • Arche (XLIII) - daughter of Zeus.
  • Kallichore (XLIV) - daughter of Zeus.
  • Helike (XLV) - daughter of Zeus.
  • Carpo (XLVI) - daughter of Zeus.
  • Eukelade (XLVII) - daughter of Zeus.
  • Cyllene (XLVIII) - daughter of Zeus.
  • Kore (XLIX) - daughter of Zeus.
  • Herse (L) - daughter of Zeus.
  • Dia (LIII) - one of Zeus' lovers.

Saturn

  • Mimas (I) - a Titan
  • Enceladus (II) - a Titan
  • Tethys (III)  - a Titan
  • Dione (IV) - Zeus had sex with this person.
  • Rhea (V) - a Titaness, mother of Zeus.
  • Titan (VI) - a Titan.
  • Hyperion (VII) - a Titan.
  • Iapetus (VIII) - a Titans
  • Pheobe (IX) - a Titaness.
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  • Epimetheus (XI) - son of Iapetus.
  • Helene (XII) - granddaughter of Kronos. Her beauty triggered the Trojan War.
  • Telesto (XIII) - daughter of Oceanus and Tethys.
  • Calypso (XIV) - daughter of Oceanus and Tethys.
  • Atlas (XV) - a Titan.
  • Prometheus (XVI) - son of Iapetus.
  • Pandora (XVII) - made from clay at the request of Zeus.
  • Pan (XVIII) - god of pastoralism.
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  • Methone (XXXII) - daughter of the giant Alkyoneos.
  • Pallene (XXXIII) - daughter of the giant Alkyoneos.
  • Polydeuces (XXXIV) - son of Zeus and Leda.
  • Daphnis (XXXV) - son of Hermes, brother of Pan.
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  • Anthe (XLIX) - daughter of the giant Alkyoneos.
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  • Aegaeon (LIII) - hundred armed giant.

Uranus

  • Nothing here, all moons named after characters in Pope's "Rape of the Lock" or characters from Shakespearean plays.

Neptune

  • Triton (I) - sea god, son of Poseidon and Amphitrite.
  • Nereid (II) - collective term for the daughters of Nereus and Doris ... Poseidon's attendants.
  • Naiad (III) - collective term for water nymphs.
  • Thalassa (IV) - sea goddess.  Mother of Aphrodite or Telchines.
  • Despina (V) - daughter of Poseidon and Demeter.
  • Galatea (VI) - a nereid.
  • Larissa (VII) - one of Poseidon's lovers.
  • Proteus (VIII) - a sea god, son of Oceanus and Tethys.
  • Halimede (IX) - a nereid.
  • Psamathe (X) - a nereid.
  • Sao (XI) - a nereid.
  • Laomedeia (XII) - a nereid.
  • Neso (XIII) - a nereid.

Pluto

  • Charon (I) - the boatman who ferried souls across the river Styx.
  • Nix (II) - goddess of dark and night, mother of Charon.
  • Hydra (III) - monster of the underworld.
  • Kerberos (IV) - nine-headed guard dog of the underworld.
  • Styx (V) - goddess of the underworld.

Dwarf Planets

  • Eris - goddess of discord and strife.
  • Dsynomia (I) - daughter of Eris, spirit of lawlessness.
Most of the Solar system's moons (there are more than 180 of them) have been discovered in the last 30 years.  The fact that so many of them bear names tied to Greek mythology is not therefore a recognition of ancient knowledge but rather a scientific desire to have systems of naming for such objects.  I for one find such a name more interesting than an alpha-numeric code, which most of these objects would have had prior to gaining their Greek name.

All this amazing cast of characters, and I have not yet started on the stars, or the constellations that include them.  Nor the names of features, like craters, on the astronomical objects listed.  Both areas are rich sources for links to further Greek mythology.